WorldPingNetflix has used AI in one form or another on some 300 of its titles, Lee Sung-gyun, the streamer’s senior director of APAC production, told an audience at the Busan International Film Festival.
Release schedules, box office and industry deals show where audience attention and studio money are moving next.
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AI Can Cut Film Budgets by Up to 40%, Says ‘The Outlaws’ Director Kang Yoon-sung, as Netflix Reveals Use on 300 Titles: ‘A Human Touch Is Absolutely Essential’
Netflix’s ‘The Blue Road’ Director Han Jun-hee on Why Playing It Safe Is the Real Risk
Why Netflix, Amazon and Other Streamers Haven’t Proved Saviors for the Kids Content Industry
The original report was published by Variety. WorldPing does not claim that reporting — this page summarises and contextualises it.
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WorldPingNamkoong Sun, director of Netflix’s Korean romance “Love Untangled,” said her first commercial feature felt little different from her independent films once cameras rolled, apart from the scale. The freedom, she added, came with weight.
Brief by WorldPing · Original reporting by Variety
WorldPingWhen Han Jun-hee binge-watched “House of Cards,” the series struck him as a game changer. It left him with one ambition: to make a story no one had told before, but that many people would watch.
Brief by WorldPing · Original reporting by Variety
Premiering at the New York Film Festival, the filmmaker's follow-up to her '13th' tackles birthright citizenship, the Equal Protection Clause and the undoing of the gains of Reconstruction.
Brief by WorldPing · Original reporting by Hollywood Reporter
WorldPingTravis Knight took to the stage at Deadline’s Contenders London event to explain just how much work had gone into making LAIKA’s new release Wildwood.
Brief by WorldPing · Original reporting by Deadline
WorldPingThe major problem for so many kids content producers these days is getting their series financed.
Brief by WorldPing · Original reporting by Variety
WorldPingGenerative AI can widen the options for a visual effects shot, but artists still decide which of them serve the story, according to James Rustad, global head of GenFX at Eyeline, Netflix’s in-house VFX studio.
Brief by WorldPing · Original reporting by Variety
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