WorldPingGenerative AI can widen the options for a visual effects shot, but artists still decide which of them serve the story, according to James Rustad, global head of GenFX at Eyeline, Netflix’s in-house VFX studio.
Release schedules, box office and industry deals show where audience attention and studio money are moving next.
When each newsroom published on this story, oldest first — all times UTC.
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Hollywood Executives See Growing Market for Asian Stories, but ‘Every Movie Is Still a Fight’
The original report was published by Variety. WorldPing does not claim that reporting — this page summarises and contextualises it.
Read the full report at VarietyLiving hubs that keep updating as this story develops.
WorldPingThe Asian Contents & Film Market (ACFM) should grow beyond its four days in Busan into a platform that runs all year, director Ellen Y.D. Kim tells Variety. She adds that public money for the market has not grown alongside it. Kim calls the idea ACFM 365.
Brief by WorldPing · Original reporting by Variety
WorldPingHollywood’s appetite for Asian stories has broadened, but for Lionsgate’s Helen Lee-Kim, “every movie is still a fight.
Brief by WorldPing · Original reporting by Variety
WorldPingVietnamese supernatural horror film “Bloodline: The Curse Within” will be introduced to international buyers by Mockingbird Pictures at the Asian Contents & Film Market (ACFM), the market of the Busan International Film Festival.
Brief by WorldPing · Original reporting by Variety
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Brief by WorldPing · Original reporting by Rolling Stone
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Brief by WorldPing · Original reporting by Rolling Stone
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