WorldPingThe major problem for so many kids content producers these days is getting their series financed.
Release schedules, box office and industry deals show where audience attention and studio money are moving next.
When each newsroom published on this story, oldest first — all times UTC.
Netflix’s ‘The Blue Road’ Director Han Jun-hee on Why Playing It Safe Is the Real Risk
Why Netflix, Amazon and Other Streamers Haven’t Proved Saviors for the Kids Content Industry
The original report was published by Variety. WorldPing does not claim that reporting — this page summarises and contextualises it.
Read the full report at VarietyLiving hubs that keep updating as this story develops.
Premiering at the New York Film Festival, the filmmaker's follow-up to her '13th' tackles birthright citizenship, the Equal Protection Clause and the undoing of the gains of Reconstruction.
Brief by WorldPing · Original reporting by Hollywood Reporter
WorldPing“Under Siege” (“Palacio”) the fictional series inspired by the storming of Colombia’s Palace of Justice by an M-19 guerrilla commando and its subsequent retaking by the Colombian army, bows Nov.
Brief by WorldPing · Original reporting by Variety
WorldPingNamkoong Sun, director of Netflix’s Korean romance “Love Untangled,” said her first commercial feature felt little different from her independent films once cameras rolled, apart from the scale. The freedom, she added, came with weight.
Brief by WorldPing · Original reporting by Variety
WorldPingOscar-winning directors Elizabeth Chai Vasarhelyi and Jimmy Chin dug into the challenges of making Everest: The Other Side at Deadline’s Contenders London event on Saturday.
Brief by WorldPing · Original reporting by Deadline
WorldPingGenerative AI can widen the options for a visual effects shot, but artists still decide which of them serve the story, according to James Rustad, global head of GenFX at Eyeline, Netflix’s in-house VFX studio.
Brief by WorldPing · Original reporting by Variety
WorldPingWhen Han Jun-hee binge-watched “House of Cards,” the series struck him as a game changer. It left him with one ambition: to make a story no one had told before, but that many people would watch.
Brief by WorldPing · Original reporting by Variety
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